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A Stable-Lamp Is Lighted : A Sung Prayer of the Christian Tradition
Publication Date: 2010-08-19
Richard Wilbur's lyric "A Stable-Lamp is Lighted," originally written to be sung chorally at a candlelight service at Wesleyan University in 1958, is both a much admired poem sung by church choirs in Advent and Christmas concerts and a successful hymn text. Wilbur's text combines the attributes of a text for congregational and choral singing with those of a Modernist poem.
America the Beautiful A Sung Prayer in the Christian Tradition.
Publication Date: 2012-01-18
"America the Beautiful," written in 1893 by Wellesley College English Professor and Poet, Katharine Lee Bates (1859-1929), revised and first published in 1895 and revised again in 1904 and 1911, stands among the classic pieces of American National hymnody. The poem reflects not only the natural grandeur of the United States in the late nineteenth century from sky to earth, and from sea to another but it depicts the ideal vision of a poet, writing only three decades removed from the American Civil War, who strived extremely hard to communicate to her readers the necessity to preserve the fundamental principles of her nation: freedom and brotherhood.
An Annotated Anthology of Hymns
Publication Date: 2002-08-15
An Annotated Anthology of Hymns is a selection of 250 of the best-known hymns in the English language, including texts translated from Greek, Latin, German, and other languages. The selection includes hymns from the earliest years of the Christian church to the present day. This is not a book for worship: the hymns are printed in a chronological sequence and not by Christian season or subject, as they would be in a church hymn book. It is an anthology for those who would like to understand more about hymns: each one is given a commentary which sets it in context,identifies significant sources, and provides explanatory and critical material. An introductory essay discusses the hymn as a historical and literary form, and the way in which it appeals to so many people.This is a book which shows how, in the words of the foreword by Timothy Dudley-Smith, 'hymns lift the heart'. It will be treasured by those who already know something about hymns and it will delight all those who enjoy hymns and would like to know more about them.
Apostles of Rock: The Splintered World of Contemporary Christian Music
Publication Date: 1999-06-01
Contemporary Christian music is one of the fastest growing areas of popular music. CCM is heard on more than 500 radio stations throughout America, and outsells both jazz and classical music in record shops.
Call Me the Seeker: Listening to Religion in Popular Music
Publication Date: 2005-06-24
-One of very few books on religion and popular music -Covers a wide range of musical styles, from heavy metal and rap to country, jazz and Broadway musicals -The essays are written by academics and informed by their enthusiasm for the music Many books have explored the relationship between religion and film, but few have yet examined the significance of religion to popular music. Call Me The Seeker steps into that gap. Michael Gilmour's introductory essay gives a state-of-the-discipline overview of research in the area. He argues that popular songs frequently draw from and "interpret" themes found in the conceptual and linguistic worlds of the major religions and reveal underlying attitudes in those who compose and consume them. He says these "texts" deserve more serious study. The essays in the book start an on-going conversation in this area, bringing a variety of methodologies to bear on selected artists and topics. Musical styles covered range from heavy metal and rap to country, jazz, and Broadway musicals.
Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century Dresden
Publication Date: 2006-04-27
Shortly after assuming the Saxon throne in 1656, Lutheran Elector Johann Georg II (r. 1656-80) replaced the elder Kapellmeister Heinrich Schutz with younger Italian Catholic composers. Seemingly overnight, sacred music in the most modern Italian style, first by Vincenzo Albrici (1631-90/96)and later by Giuseppe Peranda (ca. 1625-75) supplanted the more traditional Schutzian sacred concerto and Spruchmotette, effecting a change in musical and spiritual life both within the walls of the Dresden court and beyond. Drawing on extensive research in primary source materials, Frandsen explores the elector's "Italianization" of the Hofkapelle with castrati and other Italian virtuosi, and examines the larger confessional conflict that gripped the city of Dresden and its implications for the Catholic-leaningelector's musical agenda. She then examines the Latin texts set by Albrici and Peranda, a body of works dominated by expressions of mystical devotion typical of the repertoire then heard in Italy. However, drawing upon recent studies of the phenomenon of "new piety" in seventeenth-centuryLutheranism, Frandsen locates these texts squarely within the realm of contemporary Lutheran spirituality, and demonstrates their congruity with devotional materials used by Lutherans since the mid-sixteenth century. In her discussion of the sacred concertos of Albrici and Peranda, she takes theconcept of musica pathetica as a point of departure, and also explores the formal and stylistic relationships between the Roman motet and the new sacred concerto in Dresden. Finally, with the help of liturgies recorded in court diaries, she reintegrates this music into its original performanceenvironment, and demonstrates how tightly the works of these Italians were woven into the Gospel-determined thematic fabric of the services celebrated during the church year. A fascinating account of the uneasy alliance of two confessions at the prominent seventeenth-century court of Dresden, this book provides fresh insights into a neglected but influential repertoire. Frandsen's research will be of interest to scholars and students interested in Baroque music, theintellectual and cultural history of European courts, the history of liturgy and church history, and the Early Modern era in general.
Encyclopedia of Contemporary Christian Music
Publication Date: 2009-11-01
The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. * Over 200 entries spanning the development of contemporary Christian music and its historic and cultural roots * A remarkable team of contributors--distinguished scholars across the full academic and religious spectrum * A host of images of historic and contemporary performers and other important figures in inspirational music * An extensive bibliography of important works in print and online for further reading on contemporary Christian music * A comprehensive index
Epic Sound: Music in Postwar Hollywood Biblical Films.
Publication Date: 2014-11-27
Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s.
Good Taste, Bad Taste, and Christian Taste: Aesthetics in Religious Life
Publication Date: 2000-09-28
Christians frequently come into conflict with themselves and others over such matters as music, popular culture, and worship style. Yet they usually lack any theology of art or taste adequate to deal with aesthetic disputes. In this provocative book, Frank Burch Brown offers a constructive,"ecumenical" approach to artistic taste and aesthetic judgment--a non-elitist but discriminating theological aesthetics that has "teeth but no fangs." While grounded in history and theory, this book takes up such practical questions as: How can one religious community accommodate a variety of artistic tastes? What good or harm can be done by importing music that is worldly in origin into a house of worship? How can the exercise of taste in themaking of art be a viable (and sometimes advanced) spiritual discipline? In exploring the complex relation between taste, religious imagination, and faith, Brown offers a new perspective on what it means to be spiritual, religious, and indeed Christian.
If You Don't Go, Don't Hinder Me: The African American Sacred Song Tradition
Publication Date: 2001-02-01
How do you survive leaving everything you know to try to reconstruct your life and future in a new way? What do you carry with you on your journey to the new place? Migration looms large as a theme in twentieth-century African American life. Bernice Johnson Reagon uses this theme as a centering structure for four essays that examine different genres of African American sacred music as they manifested themselves throughout the twentieth century and within her own life. The first essay examines the evolution of gospel music by looking at the work of Charles Albert Tindley, Thomas Andrew Dorsey, Reverend Smallwood Williams, Roberta Martin, Pearl William Jones, and Richard Smallwood. In the next essay Reagon relates the story of Deacon William Reardon and the prayer bands that carried the tradition of South Carolina spirituals through the twentieth century in the communities of Washington DC, and Baltimore. The concert spiritual tradition is the subject of the third essay, and the final essay explores how stories about African American women of the nineteenth century became a source of strength for Reagon in her development as an African American woman, singer, fighter, and scholar.
In Tune with Heaven or Not? : Women in Christian Ligurgical Music
Publication Date: 2014-06-11
This book explores the alliance of theology and music in the Christian liturgical tradition, interrogating the challenges posed by the gendered nature of church leadership in many areas of its life. It examines the relationship between theology, spirituality and music, concentrating on women's perceptions of these. The title draws on the Report of the Archbishop's Commission on Church Music from 1992 which was entitled In Tune with Heaven. It questions the absence of women's voices and experiences from the literature and attempts to redress this. It sets out the values that underpin Christian musical liturgical traditions primarily in Europe and the USA with a view to understanding where women are situated within or outside these traditions. It draws on material from many interviews with contemporary practitioners from a variety of contexts. It does not set out to be a definitive history of women in these traditions but simply to give some small vignettes that illustrate a variety of positions that they have occupied in various denominations - and thus make their often hidden contributions more visible.
In Your Mercy, Lord, You Called Me: A Sung Prayer of the Christian Tradition
Publication Date: 2010-08-24
In this study Dr. Nancy C. James analyzes the symbolism in Josiah Conder's poetic hymn, the expression of his beliefs and the notion of prevenient theology that motivated Conder.
It's All about HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship
Publication Date: 2008-09-01
With so many contemporary evangelical voices calling for redefining, rethinking, remaking, and repackaging Christian worship, now comes a new voice for reclaiming its sacred and traditional precepts for worshipping God through sung prayer. Praised by some of the world¿s leading authorities in the church music field, It¿s All About HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship opens up new doors to dialogue, sheds light on factors that influence the Western Christian worship model, and challenges all Christians to reassess how they approach the act of worship.
Jesus Rocks the World
Publication Date: 2012-09-07
This book tells the story of contemporary Christian music over the course of more than half a century-a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized.
Music and the Numinous
Publication Date: 2007-01-01
The continuum of music--what is it, what does it do, how does it do it--has taxed countless philosophers over recorded time, and even the verb for what it does (express? arouse? evoke? symbolize? embody?) meets with no universal agreement. Not always is music admired: in the Book of Ezekiel, the prophet likens the skilled musician to an ineffectual preacher.Richard Elfyn Jones brings new ideas to the conundrum by taking up certain philosophers not usually cited in connection with music, in particular Alfred North Whitehead and the classical Greek notion of process(as opposed to event), and thus of process theology. The book opens up an original approach to the transcendent and, to many, the sacred quality heard in music, drawing both upon authorities concerned with the numinous (that feeling of awe and attraction behind religious experience) and upon his own lifelong engagement with music as scholar, teacher and composer.- Peter Williams, former Dean of Music, University of Edinburgh
Music in Early Franciscan Thought
Publication Date: 2013-05-08
Music in Early Franciscan Thought is an interdisciplinary study exploring the broad relevance of music in Franciscan hagiography, art, theology, philosophy, and preaching between the founding of the Order in 1210 and 1300 a period covering their rapid ascendancy in medieval society as an Order of clerics. The book covers representations of music in visual and literary hagiography, the inspiration of Pope Innocent III, and the formative writings of William of Middleton and David von Augsburg. Later chapters examine the science and practice of music and its relevance to the ministry of preaching through the writings of Robert Grosseteste, Roger Bacon, Bartholomaeus Anglicus, and Juan Gil de Zamora."
Music in Kenyan Christianity: Logooli Religious Song
Publication Date: 2013-09-11
This sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Music in the Life of the African Church
Publication Date: 2008-04-28
During the twentieth century, the number of Christians in Africa grew from an estimated 4 million to more than 300 million. One of the forces that has propelled the church's remarkable growth is its liturgical music, which has been heavily influenced by indigenous musical traditions. This rewarding book takes readers "inside the music" for the first time. By examining the central role of indigenous music in promoting Christianity and in giving voice to local theologies, the authors seek to energize conversations between music, culture, and the church. Furthermore, they extract useful lessons for fostering faith communities around the globe.
No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism
Publication Date: 2011-04-25
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. The chart-topping, spiritually inflected music created a space in popular culture for talk of Jesus, God, and Christianity, thus lessening for baby boomers and their children the stigma associated with religion while helping to fill churches and create new modes of worship. Stowe shows how evangelicals' increasing acceptance of Christian pop music ultimately has reinforced a variety of conservative cultural, economic, theological, and political messages.
Political Melodies in the Pews? : The Voice of the Black Christian Rapper in the Twenty-first-Century Church
Publication Date: 2012-09-27
In this fascinating study of contemporary Christian worshippers, David L. Moody analyzes Christian rap music against traditional Christian theology. For many, mixing the sanctified worship of God with music originating from unconsecrated avenues has become difficult to accept. From the back alleys and streets of the hood to the club scene of urban America, Christian rappers walk to a different beat than the preacher at the pulpit. However, similar to a street evangelist, the Black Christian rapper is about singing praise to God and delivering the gospel message to his lost homies on the streets. Moody examines the emergence of hip hop based ministries and their place among youth with the Black community."
Pop Cult: Religion and Popular Music
Publication Date: 2010-12-02
At a time when fundamentalism is on the rise, traditional religions are in decline and postmodernity has challenged any system that claims to be all-defining, young people have left their traditional places of worship and set up their own, in clubs, at festivals and within music culture. Pop Cults investigates the ways in which popular music and its surrounding culture have become a primary site for the location of meaning, belief and identity. It provides an introduction to the history of the interactions of vernacular music and religion, and the role of music in religious culture. Rupert Till explores the cults of heavy metal, pop stars, club culture and virtual popular music worlds, investigating the sex, drug, local and death cults of the sacred popular, and their relationships with traditional religions. He concludes by discussing how and why popular music cultures have taken on many of the roles of traditional religions in contemporary society.
Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity.
Publication Date: 2011-07-15
Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief, and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernization and globalization in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop, and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of ""music and religion.""
Sacred Music in Secular Society
Publication Date: 2014-03-05
If music has ever given you 'a glimpse of something beyond the horizons of our materialism or our contemporary values' (James MacMillan), then you will find this book essential reading. Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Jonathan Arnold offers unique insights as a professional singer of sacred music in liturgical and concert settings worldwide, as an ordained Anglican priest and as a senior research fellow. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, including James MacMillan and Rowan Williams, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. Intended by the composer and inspired by religious intentions this theological and spiritual heart reflects our inherent need to express our humanity and search for the mystical or the transcendent. Offering a unique examination of the relationship between sacred music and secular society, this book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
Saints in Exile: The Holiness-Pentecostal Experience in African American Religion and Culture
Publication Date: 1999-03-25
Saints in Exile studies, from an insider's perspective, the worship practices and social ethics of the African American family of Holiness, Pentecostal, and Apostolic churches known collectively as the Sanctified Church. Cheryl Sanders identifies the theme of exile, both as an idea and anexperience, as the key to understanding the dialectical nature of African American religious and intellectual life, that W.E.B. Du Bois called "double-conscious." Sanders's saints in exile are a people who see themselves as "in the world but not of it"; their marginalized status is both self-imposedand involuntary, a consequence of racism, sexism and other forms of elitism. When joined with the biblical tropes of homecoming and reconciliation, the concept of exile serves as a vital vantage point from which to identify, critique, and remedy the continued alienation of blacks, women, and thepoor in the United States. Sanders's interpretive approach clarifies many paradoxical features of black existence, especially the peculiar interplay of the sacred and the secular in African American song, speech, and dance. She particularly scrutinizes gospel music, a product of the Sanctified worship tradition that has hada significant influence on popular culture. Saints in Exile goes further than any previous study in illuminating the African American experience; it will be welcomed by scholars and students of American religion, African American studies, and American History.
Samuel Sebastian Wesley: A Life
Publication Date: 2004-05-06
Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music. He was also a troubled, difficult character, and accounts of hisabrasive personality or anecdotes about his fishing exploits have tended to obscure his very real achievements as a composer.Peter Horton has drawn on a wide range of source material to produce a detailed account of Wesley's life and career as he moved from cathedral to cathedral in search of an unattainable ideal, his youthful idealism gradually giving way to the cynicism and disillusion familiar to those who encounteredhim late in life. He also examines his development as a composer and presents a study of his complete output (including the many non-church works) against the background of his restless career and in a wider European context. The book is illustrated by a generous selection of musical examples andplates, and includes the most detailed list of works to appear in print.
Sing Them over Again to Me : Hymns and Hymnbooks in America.
Publication Date: 2006-04-30
Hymns and hymnbooks as American historical and cultural icons. This work is a study of the importance of Protestant hymns in defining America and American religion. It explores the underappreciated influence of hymns in shaping many spheres of personal and corporate life as well as the value of hymns for studying religious life. Distinguishing features of this volume are studies of the most popular hymns ("Amazing Grace," "O, For a Thousand Tongues to Sing," "All Hail the Power of Jesus' Name"), with attention to the ability of such hymns to reveal, as they are altered and adapted, shifts in American popular religion. The book also focuses attention on the role hymns play in changing attitudes about race, class, gender, economic life, politics, and society.
Singing Jeremiah: Music and Meaning in Holy Week
Publication Date: 2014-05-05
A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
Singing the Lord's Song in a Strange Land : Hymnody in the History of North American Protestantism
Publication Date: 2004-07-19
Music and song are important parts of worship, and hymns have long played a central role in Protestant cultural history. This book explores the ways in which Protestants have used and continue to use hymns to clarify their identity and define their relationship with America and to Christianity. Representing seven groups - Baptists, Presbyterians, Lutherans, Mennonites, Holiness, Hispanics, and Evangelicals - the nine essays reveal how hymns have helped immigrants to establish new identities, contributed to the body of worship resources, and sustained ethnic identity. America's longest running and most successful independent radio program; singing among Swedish evangelicals in America; the German hymn tradition as transformed by Mennonite immigrants; the ways hymnody reinforces themes of the Wesleyan holiness movement; the history of Mercer's Cluster (1810), a southern hymnal that gave voice to slaves, women, and native Americans; and the Presbyterian hymnal tradition in Canada formed by Scottish immigrants.
Story and Song : A Postcolonial Interplay Between Christian Education and Worship
Publication Date: 2012-07-12
Story and Song: A Postcolonial Interplay between Christian Education and Worship examines the roles of Scripture and hymnody in a Christian community in the twenty-first century, an era marked by a growing awareness of complex issues and migrating contexts. This work identifies the divisions that have existed between these two disciplines. The postcolonial approach employed here offers insights that uncover the colonial assumptions that led to division rather than integration of worship and Christian education. Furthermore, this book seeks to employ qualitative research methods in studying a Korean-Canadian diasporic congregation and a Korean feminist Christian group. Such research demonstrates how the Gospel Story and the congregation's stories can be woven together in a particular context, while the Song of Faith can help to build a postcolonial feminist community. Readers will be equipped to mend the divisions between Christian education and worship, to respond to the needs of non-Western Christian communities, and to attain postcolonial insights. A balanced theoretical work with reflective practical descriptions, this volume will be useful to those who are looking for a text to guide Christian education and worship courses and contribute to the readings of courses in practical theology, postcolonial studies, feminist pedagogies, and feminist liturgies.
The English Hymn: A Critical and Historical Study
Publication Date: 1997-10-02
Why do people sing hymns? Are hymns poetry? What makes a good hymn? The author discusses the nature of hymns and their particular appeal, examines the English hymn as a literary form, and systematically describes its development through four centuries, from the Reformation to the mid-twentieth century.
The God of Abraham, Isaac, and Jacob : Music and Worship
Publication Date: 2013-07-31
The God of Abraham, Isaac, and Jacob brings readers on a surprising journey from the dawn of divine-human communion to the present, showing how this mysterious, ongoing relationship holds the keys to true worship. Laying a new foundation for understanding worship, the book makes a compelling case for distinguishing the church's practices from those of the world. Recognizing the holiness of worship, the author observes that music itself, apart from language, conveys its own theological meaning; that, similar to Scripture, there is an evolving canon of sacred music; and that, to mitigate idolatry, the spirit of worship must be tested to ensure that it addresses the God of Abraham, Isaac, and Jacob. When this timeless liturgical journey with God is honored with vital commitment, worship will be compelling and transfiguring to all people, at all levels of religious experience.
The Restoration of Gregorian Chant: Solesmes and the Vatican Edition
Publication Date: 2008-08-13
Gregorian chant, the Catholic Church's very own music, is proper to the Roman liturgy, but during the course of its long history it has experienced periods of ascendancy and decline. A century ago, Pope Pius X called for a restoration of the sacred melodies, and the result was the Vatican Edition. This book presents for the first time in English the fully documented history of the Gregorian chant restoration. The original French edition was published by the Abbey of Solesmes in 1969.This book describes in careful, vivid detail the strenuous efforts of personalities like Dom Joseph Pothier, Dom Andre Mocquereau, Fr. Angelo de Santi, and Peter Wagner to carry out the wishes of the pope. The attentive reader will not fail to note that many of the questions so fervidly debated long ago are still current and topical today. Robert A. Skeris' introduction to this edition illuminates the current discussion with documentation, including the Preface to the Vatican Gradual and the ""Last Will and Testament"" written by Dom Eugene Cardine.
The Song in You
Publication Date: 2012-11-06
We all have a song to sing--something that sets us apart as special, worthy, and unique. To be our absolute best, we must find our own voice. That's the message in this encouraging you-can-do-it guide by LaDonna Gatlin, sister of the legendary country music group The Gatlin Brothers. A member of the National Speakers Association Hall of Fame, she has inspired hundreds of thousands of people over the past decade through her wisdom, humor, and song . . . and in The Song in You, Gatlin takes readers down an inspirational path to uncovering their own potential, purpose, and passion. Using the seven notes of the musical scale--do (do the right thing), re (realize your potential), mi (mind your manners), fa (failures can become fertilizer), sol (solutions begin with me), la (laugh), ti (time is valuable) . . . and right back to do--Gatlin uses her own story, including her dramatic personal struggles, to craft a spiritually uplifting message. The Song in You contains practical, emotional, and spiritual insights gleaned from Gatlin's experiences as part of a famous musical family, and also as a woman whose Christian faith caused her to walk away from untold riches and fame to travel the world with Christian music pioneer Dallas Holm and evangelist David Wilkerson (from The Cross and the Switchblade movie). With a finely tuned voice, sharp wit, and engaging communication style crafted over a lifetime of performing, LaDonna ignites readers to boldly discover their passion, connect with their voice, and embrace a life of purpose and meaning.
The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music Is Relating to God
Publication Date: 2011-12-14
This book is based around reports from people who have listened to certain pieces of sacred music (that is, pieces with a liturgical text or biblical allusions) and have said that hearing the music is itself an encounter with the divine. While relating to the music, these people find that relating to the music is a relation to God. The music as such becomes inaudible, and disappears into an encounter in which they address and are addressed by God, or the Risen Christ, or the Eternal Infinite.
Theology, Music and Time
Publication Date: 2000-08-15
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Trinity of Discord: The Hymnal and Poetic Innovations of Isaac Watts, Charles Wesley, and William Cowper
Publication Date: 2012-08-03
The three writers examined in Richard Arnold's Trinity of Discord, Isaac Watts, Charles Wesley, and William Cowper, are known as famous poets, but are also the greatest and most popularly compiled and used hymn-writers of all time. While masters of their kind, they were so remarkably different, considering they were working in the same (and quite new) genre. Moreover, when considered in their poetic-historical contexts, it is noteworthy that Watts can be seen as an archetypal Neoclassicist (not unlike Pope and Johnson), Wesley as a transitional pre-Romantic (not unlike Gray and Collins), and Cowper a thoroughgoing Romantic (not unlike Wordsworth and Coleridge, but with a much sharper psychological edge). Most noteworthy is that Watts, Wesley, and Cowper come before their later counterparts and their respective movements: their importance to mainstream or canonical literary history cannot be overestimated. In terms of the hymn's development in the nineteenth and twentieth centuries, these three stand as beacons in the genre, if not individual species of a multiform genre itself. In their time and context, these three were, while paradoxically out of tune with the status quo, and radically different from each other, forging a new and everlasting genre, one born out of a veritable trinity of discord.
Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict
Publication Date: 2004-07-01
How important was music to Martin Luther? Drawing on hundreds of liturgical documents, contemporary accounts of services, books on church music, and other sources, Joseph Herl rewrites the history of music and congregational song in German Lutheran churches. Herl traces the path of music andcongregational song in the Lutheran church from the Reformation to 1800, to show how it acquired its reputation as the "singing church." In the centuries after its founding, in a debate that was to have a strong impact on Johann Sebastian Bach and his contemporaries, the Lutheran church was torn over a new style of church music that many found more entertaining than devotional. By the end of the eighteenth century, Lutherans weretrying to hold their own against a new secularism, and many members of the clergy favored wholesale revision or even abandonment of the historic liturgy in order to make worship more relevant in contemporary society. Herl paints a vivid picture of these developments, using as a backdrop the gradualtransition from a choral to a congregational liturgy. The author eschews the usual analyses of musical repertoire and deals instead with events, people and ideas, drawing readers inside the story and helping them sense what it must have been like to attend a Lutheran church in the sixteenth through eighteenth centuries. Parallel developments inCatholic churches are discussed, as are the rise of organ accompaniment of hymns and questions of musical performance practice. Although written with academic precision, the writing is clear and comprehensible to the nonspecialist, and entertaining anecdotes abound. Appendixes include translations of several important historical documents and a set of tables outlining the Lutheran mass as presented in 172 different liturgical orders. The bibliography includes 400 Lutheran church orders and reports of ecclesiastical visitations read by the author.